Anglo-Welsh-American psychedelic rockers Howl Griff release their third full album, Fragile Diamond, on 15 October 2012.
Following their critically acclaimed eponymous Welsh language debut
(which Clash magazine called the work of a “Welsh Brian Wilson”) and
English language LP The Hum – which yielded much coverage on BBC 6Music
including an MPFree of the Day, a BBC Radio Wales Single of the Week and
being hailed as “bloody lush” by Lauren Laverne – the band has taken
another major step forward.
We took a listen to Fragile Diamond and here’s what we thought:
The disc starts off with ‘You Don’t Have To Leave On Your Own’ a
quasi-rocksteady punk- rock tune laden with guitar twanging spasms.
After an interval, the song evolves into a huge fanfare of chords and an
expansive vocal upset. A simple guitar solo threads sinfully through
the finale, and leaves it a chewy mess. Sticky fun!
The title track ‘Fragile Diamond’ invites those ‘Welsh Beach Boy’
comparisons. A syrupy chorus, which is spread out like gooey chocolate
spread, slathered onto creamy thighs, glisten with happy chords. This
song gives each listener a love bath. Aromatic, healthy and healing – it
will make you feel all warm inside.
‘Sharkfins In The Sky’ slices like silver through the cool
sea-breeze. The vocals gently flutter through the mesh to scutter away
gently and out-of-sight. Even if it is utterly smooth, and a tad too
kiss-me-quick, this song still harbours an awful secret.
‘Radio Revoloution’ reminds us of something by vintage Strawbs or even Lindisfarne.
It has that maverick Brit-Folk quality. But the song also retains the
noble heart of pop. A guttural guitar solo squeezes itself through the
gaps left by the cushioned vocals, creating a slice of valued sourness,
left flapping amongst the sweet.
‘Meet My Maker’ is allegedly based on singer Griff’s experiences of
going blind while driving fast down the M4 motorway. It’s just a matter
of strummed acoustic guitar, together with some sweet lyrics. But then
the simple song blossoms into something grand and quite indispensable.
When those keyboards clink and tumble in, you know you have got a
classic number on your hands. Perfection.
‘She Walks On By The Flame’ could easily be an extended theme for any
1970’s spy-based television show. Chipper keys swing back and forth and
that cocky riff keeps the tension going beneath the surface. The chorus
is pure rock ‘n’ roll. This is a hugely gratifying frolic.
Cowboy song ‘Rose of Emily’ whip-cracks-away as it describes, with
some skill, the dusty ride back to the barn. Reminding us of ‘The Yellow
Rose of Texas’, the guitars – that are unimaginably squeaky clean -
are fired up towards the rear of this song, adding fire-crackers to get
this stampede movin ‘on.
– © Neil_Mach August 2012 –
Links:
http://www.facebook.com/howlgriffband
http://www.howlgriff.com/